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Parts of the tune also appear in the recordings of Dennis Mc Gee. Hear the shouts of his band members telling him to "make it hot, Leo!
Fusilier moved to Lake Arthur so that he could play with Varise Conner, and they played dances during some of the leanest days of the Depression. " Louisiana Blues and La Bonne Valse epitomize Soileau's soulful, mournful sound.
They were the first Cajun band to play the bandstand standing up, first to use amplification in their dances.
They ran their Model T Ford battery during the dance with cable into the hall to electrify the fais do-do!
Ever since the 1970s I was aware of recorded Cajun and Creole music from the 1920s and 30s through an outstanding series of lps (long-playing records) on the market by the Arhoolie Records label.
I will always be grateful to producer Chris Strachwitz for making that music available! Some of these remarkable lps are still available from the Arhoolie Web site, with these titles: Louisiana Cajun Music Volume 1, First Recordings (OT108); Louisiana Cajun Music Volume 2, The Early 30s (OT109); Louisiana Cajun Music Volume 3, The String Bands of the 1930s (OT110); Louisiana Cajun Music Volume 4, The 30s to the 50s (OT111); Louisiana Cajun Music Volume 5, 1928-1938 (OT114); Amade Ardoin, His Original Recordings 1928-1934 Volume 6 (OT124); Leo Soileau, Louisiana Cajun Music Volume 7 (OT125).
Danced to his exciting band at Coz's Blue Goose hall in Eunice around that time, early 80s. The 1920s and 30s were a period of unequalled recording of the musical heritage of our country!
The phonograph was finding its way into many homes, and people wanted to hear local music.
The Point Claire Blues turns out to be an early version of a song I had previously associated with Nathan Abshire, The Lemonade Song.Then Bing Crosby's Little Dutch Mill and the sentimental Beautiful Mary show how pop tunes wove their way into the music.Soileau retired from music in the 1940s with the demise of the string band sound.It was in that kind of setting that the recordings above were made, and they constitute a windfall.A fortunate, unique record of cultural history, with songs of joy and pride and common woes. Segura Brothers tearing it up on accordion and vocal, from a December 16, 1928 session in New Orleans!
By the mid- to late 1930s a new wave made its way into Cajun music with a string band sound influenced by country and Western Swing music coming in from the influx of Texans, etc. Early adopters represented here include Dudley and James Fawvor, J. You can hear a great version of this tune on the Varise Conner cd mentioned up above. Fuselier contributed some of the standards of the Cajun music repertoire. Also, Miller' s Merrymakers were led by a guitarist named Beethoven Miller and another guitarist named Preston Manuel.